* All images used with permission. Please do not distribute without first contacting the artist.
What you see are stripes of packing tape, layered and wrinkled over clear Plexiglas panels, mounted on simply constructed light boxes. For years I have been painting glass on the light easel, seeing painting as a process of shading light. I invented my tape technique merely as a more effective way of patching light, and found that it triggers my intuition better. This is poor man’s stained glass, but tape suddenly makes it more alive. It wasn’t a ‘medium” for art until I decided it was; then it was.
Though my work does not fall into easy categories, I see it as a form of painting, in which the precise visual effect is a sum of expressive movements. The 2-inch tape acts as a wide brush, and the light behind the panels as an alchemist’s luminous blending medium. I like to draw in the old master’s sketch style of suggestive precision.
I tend to pick subjects, which juggle material and content in the liveliest way. When I work with classical themes, I am playing on contrast; expensive/cheap, beautiful/ugly. No one looks at the classics anymore; as soon as you use tape, they start looking again.
And this is what you see.
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