I love cartoons and I love the idea of seeing what it might look like if a bomb went off inside of a cartoon. I start by drawing fragments of my own stylized/imagined cartoons and then scramble them up as projections on the surface. Rather than focusing on a typical linear subject or character(s), I like to layer these multiple fragments to a degree of absurdity and randomness, layering line color and form in such a way to demonstrate impermanence and transparency of the subject, synchronicity, multiplicity and an implicit violence between form and function.