The encounter of structure and chaos; the rigor of certain forms combined with a sharp interest in sculptural surface and texture, are the two axis of tension, around which I develop the formal language.
The austerity, the formal economy is continually destabilized by the means of fabrication, the choice of materials and/or their diversion. Oxidation, crystallization, pictorial qualities of certain textures; deconstruction and lightening of mass and it’s unity by a coating that contradicts our initial apprehension of the material and thus that of the volume.The materiality of the surface combined with the thinness of the volumes optically suspends the solidity of the sculptures.
The visual vocabulary that oscillates between man made-constructions and natural phenomenons, drives a reflection on sculpture as a medium wherein the formal duality on one hand, evokes a sense of stability, solidity and on the other recognizes its fragile and impermanent nature.